The Performative Dimension of a Literary Text-Concert

Using the premises of literary intermediality theory, paper dwells on particular performability a text, in which concert is not only described but also played out as distinct socially significant phenomenon contemporary culture. It because performative dimension, an essential medium between actual musical events and their verbal rendition, embodiment music movements, gestures, sounds instruments, program pieces, its presentation interpretations that are historically determined motivated by personal poetologies authors, such texts could be treated texts-concerts. stated text-concert thematizes describes event using specific names pieces performers, drawing attention to performing style individual manner expression used musicians well sound instruments while interpreting compositions. The text itself conceptualized concert, i.e., plot may framed or presented special with detailed description conditions performance (acoustic space, drama, timing, atmosphere, acoustic background, relevant auditory habits, ritualistic elements concert) impact listener. Due structural technologies aimed at most adequate vocal rendering performance, this type exceeds limits representation displays dimensions embodiment, mediality, eventfulness. In metaphorical sense, stage plays out, often combined discourse author’s creative becoming. Since constituted through intermedial links music, it has potential revealing own showing things talks about, way transcending content. analysis based Julio Cortazar’s essay Around Piano Thelonius Monk Friedrich Christian Delius’s Future Beauty.